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Go gently

Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.
Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.
Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.
Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.
Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.
Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.

Go gently (2023). Inkjet print on handmade papers (hanji, abaca, paper mulberry), thread, woven paper thread, silk/hanji fabric, natural dyeing, crayon grave rubbing, paper lithography, suminagashi, joomchi, pulp painting. 7.25 x 5.25 x 0.3” closed, 10.5” wide open. 14 leaves, variable edition of two. Cynthia Sears Collection, Newberry Library.

From the colophon: Go gently was inspired by the egregiously mishandled 1971 tomb excavation of King Muryeong (462–523) and his queen. At the time, it was the only intact royal tomb of that period, and had interred the 25th king of Baekjae (18 BCE–660 CE). It was the first solo Korean archaeological project since the peninsula was divided and indelibly affected by war and colonization. After monsoon rains stopped long enough to unseal the tomb, its contents were removed overnight. The junior researcher did not understand his new camera so his photos were useless. Valuable information about the placement of objects was lost in a mad dash to deter the press, which had accessed the tomb ahead of the National Museum team. Ironically, only the press images remain.

Go gently

Almost always, discovery
arrives after digging

delayed by storms,
by weather

wait for a clear day

and start anew:

careful

Treasures lay in dirt, caked mud,
in layers you can only see
after disturbing the ground

embedded

you won’t know the questions
until you’ve destroyed the evidence

plainly marked in stone

If you arrive first,
the gold is intact

But well beyond your lifetime,
mystery remains.

after all artifacts see the
light of day

What have you actually learned?

The dead were resting.

So go gently.

Vocabulary lessons
Cradle to grave

Vocabulary lessons

Vocabulary lessons (Version 2) (2023). Inkjet print and persimmon juice on hanji; woven paper thread. 2.5 x 4.25 x 0.75” closed. Smithsonian American Art and Portrait Gallery Library Collection.
Vocabulary lessons (Version 2) (2023). Inkjet print and persimmon juice on hanji; woven paper thread. 2.5 x 4.25 x 0.75” closed. Smithsonian American Art and Portrait Gallery Library Collection.
Vocabulary lessons (Version 2) (2023). Inkjet print and persimmon juice on hanji; woven paper thread. 2.5 x 4.25 x 0.75” closed. Smithsonian American Art and Portrait Gallery Library Collection.
Vocabulary lessons (Version 2) (2023). Inkjet print and persimmon juice on hanji; woven paper thread. 2.5 x 4.25 x 0.75” closed. Smithsonian American Art and Portrait Gallery Library Collection.
Vocabulary lessons (2021). Inkjet print and indigo dye on hanji and piña paper; thread made from colored pencil and indigo fresh leaves on handmade paper; linen thread. 7 woven leaves. 1.8 x 4.25 x 0.75” closed, 8.2” wide open. Cynthia Sears Collection, Bainbridge Island Museum of Art.
Vocabulary lessons (2021). Inkjet print and indigo dye on hanji and piña paper; thread made from colored pencil and indigo fresh leaves on handmade paper; linen thread. 7 woven leaves. 1.8 x 4.25 x 0.75” closed, 8.2” wide open. Cynthia Sears Collection, Bainbridge Island Museum of Art.
Vocabulary lessons (2021). Inkjet print and indigo dye on hanji and piña paper; thread made from colored pencil and indigo fresh leaves on handmade paper; linen thread. 7 woven leaves. 1.8 x 4.25 x 0.75” closed, 8.2” wide open. Cynthia Sears Collection, Bainbridge Island Museum of Art.

Vocabulary lessons (Version 2) (2023). Inkjet print and persimmon juice on hanji; woven paper thread. 2.5 x 4.25 x 0.75” closed. Smithsonian American Art and Portrait Gallery Library Collection.

Vocabulary lessons (2021). Inkjet print and indigo dye on hanji and piña paper; thread made from colored pencil and indigo fresh leaves on handmade paper; linen thread. 7 woven leaves. 1.8 x 4.25 x 0.75” closed, 8.2” wide open. Cynthia Sears Collection, Bainbridge Island Museum of Art.

The English translations in Vocabulary lessons are of Korean words that I wanted to remember during this sojourn. I wrote the text in 2007 while feeling inadequate about my language abilities. We are told that language learning takes best when young, but my Korean was the strongest it had ever been, in my 40s. Later I heard a new truth: older language learners do better because they understand the context behind the words.

Each woven page provides structure, the context with which I approach lifelong language study. The threads are spun from pages of my old sketchbooks; though the message of these marks is lost, they are part of the paper-thread-page as a new foundation for future words.

Vocabulary lessons

It’s not something you can see,

the way that I travel between thickets of speech.

Weaving words has always been risky.

I still remember that this is treacherous ground.

I might as well dive in and catch as many
as I can find.

공감 sympathy
감정 feeling, emotion
위로 console, comfort
실패 failure
실기 practical skills
순하다 gentle
까치 magpie
계획 plan
기준 standards
실험 experiment
지구 Earth
소재 material
신뢰 trust
종자 seeds
우엉 burdock
보조 assistance
배려 consideration
호감 goodwill
목적 purpose
공유 sharing
혜택 benefit
개판 a mess, chaos
소라 conch
사명감 sense of duty
토종 indigenous
자부심 pride

In Place Of
Go gently

In Place Of

In Place Of (2019). Ink, natural dye, and inkjet print on handmade papers, woven paper thread, iris leaf, butterfly cutout. 5.5. x 8.5 x 0.5" closed, 10 pages (plus 1 endsheet), variable edition of six.
In Place Of (2019). Ink, natural dye, and inkjet print on handmade papers, woven paper thread, iris leaf, butterfly cutout. 5.5. x 8.5 x 0.5" closed, 10 pages (plus 1 endsheet), variable edition of six.
In Place Of (2019). Ink, natural dye, and inkjet print on handmade papers, woven paper thread, iris leaf, butterfly cutout. 5.5. x 8.5 x 0.5" closed, 10 pages (plus 1 endsheet), variable edition of six.
In Place Of (2019). Ink, natural dye, and inkjet print on handmade papers, woven paper thread, iris leaf, butterfly cutout. 5.5. x 8.5 x 0.5" closed, 10 pages (plus 1 endsheet), variable edition of six.

In Place Of (2019). Ink, natural dye, and inkjet print on handmade papers, woven paper thread, iris leaf, butterfly cutout. 5.5. x 8.5 x 0.5″ closed, 10 pages (plus 1 endsheet), variable edition of six. Collections: Oberlin College Clarence Ward Art Library, The W. Van Alan Clark, Jr. Library at SMFA/Tufts Special Collections, University of Miami Richter Library Special Collections, Indiana University Wells Library Special Collections; Emory University Robert W. Woodruff Library Special Collections.

In place of

Once I met a Czech man in Vienna and we talked while walking through the city. He said something like this:

I get my news the old fashioned way: directly from people I know. The important stuff will eventually get to me. What I care about is what I can do locally, so I ran for vice-mayor of my small town and won. This is how I make a difference.

He became the subject, the actor, the one who creates change.
Not the object who is subjected to the news.

I’ve come to distrust our media outlets.

The pace at which rumors, gossip, and fearmongering spreads is faster than the pace at which I can digest our constantly changing world.

I am not interested in fragments that sound different based on who is proclaiming them,

Or half-truths baked into a medium that I used to trust,

Or the residue of reality rather than real things

I want the actual thing, knowing that it will change over time,

Not the vision of it trapped and mocked,

Or the site of its struggle to escape our traps.

We used to know that THIS made THAT.

Now it’s all smoke and mirrors, shadows of the truth layered over more fabricated mystery.

A monarch visited me today. I’ve never seen one at my house before.
Or maybe it was a viceroy. Regardless, it was the biggest news of the day.

There you are

There you are (2023). Basket: coreopsis dye & gouache on corded and twined hanji; 5 x 5.5 x 5.5". Book: pencil on coreopsis dye on hanji, thread, 7” hanji cord; 2.5 x 2.5 x 0.5” closed, 2.5 x 60” open. One of a kind.
There you are (2023). Basket: coreopsis dye & gouache on corded and twined hanji; 5 x 5.5 x 5.5". Book: pencil on coreopsis dye on hanji, thread, 7” hanji cord; 2.5 x 2.5 x 0.5” closed, 2.5 x 60” open. One of a kind.
There you are (2023). Basket: coreopsis dye & gouache on corded and twined hanji; 5 x 5.5 x 5.5". Book: pencil on coreopsis dye on hanji, thread, 7” hanji cord; 2.5 x 2.5 x 0.5” closed, 2.5 x 60” open. One of a kind.
There you are (2023). Basket: coreopsis dye & gouache on corded and twined hanji; 5 x 5.5 x 5.5". Book: pencil on coreopsis dye on hanji, thread, 7” hanji cord; 2.5 x 2.5 x 0.5” closed, 2.5 x 60” open. One of a kind.

There you are (2023). Basket: coreopsis dye & gouache on corded and twined hanji; 5 x 5.5 x 5.5″. Book: pencil on coreopsis dye on hanji, thread, 7” hanji cord; 2.5 x 2.5 x 0.5” closed, 2.5 x 60” open. One of a kind. BIMA Cynthia Sears Collection.

This book in a basket examines the desire to hide from the world when it becomes too overwhelming, and tries to coax a return to the outdoors through gathering flowers for color. This cover/container/basket is made from corded and twined hanji (Korean paper), dip dyed afterwards in coreopsis dye from Aimee’s garden, with acrylic and gouache touchups on the lid. The accordion is brush dyed with coreopsis dye onto hanji, and inscribed in pencil.

There you are

It’s sunny out,
so I wondered
if you were hiding
in the shade.

Of course
you were.

but today,

I sense a
stronger resolve

that you
might
venture out

even though
it’s hot

even though
the air is stifling

even if you
think you
can’t breathe.

Because out here,
even if

the sun scorches
away all the colors

it also gives
more flowers

for you to pick
and boil

to make more color.

Inside,

it’s only dark

save the moments

when I check in

I worry
you are too

used to the
dimness

pricks of light
coming through

here and there.

Used to staying
small,

folded in
on yourself,

only able to
open up
with assistance

so quiet

I worry you forgot

about all these
flowers out here

I worry you
think the

memory of a
blossom

is enough to tide you over forever

there is so much
work to do

out here

so much heartache
and break

sorrow
and famine

flood
and
fire

FLOWERS

so please return
when you can

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