Hirsute Adjacent (2016). Bark lace, beeswax, persimmon juice on silk wrapped linen paper yarn, handmade mulberry paper. 7.75 x 5.5″ closed.Hirsute Adjacent (2016). Bark lace, beeswax, persimmon juice on silk wrapped linen paper yarn, handmade mulberry paper. 7.75 x 5.5″ closed.Hirsute #2 (2016). Ink and suminagashi on Rives BFK and handmade prairie cord grass paper. 7 x 5.5″ closed. MIA.Hirsute #2 (2016). Ink and suminagashi on Rives BFK and handmade prairie cord grass paper. 7 x 5.5″ closed. MIA.Hirsute #2 (2016). Ink and suminagashi on Rives BFK and handmade prairie cord grass paper. 7 x 5.5″ closed. MIA.Hirsute #3 (2016). Ink and suminagashi on assorted handmade papers. 8.1 x 5.25″ closed. Private collection.Hirsute #3 (2016). Ink and suminagashi on assorted handmade papers. 8.1 x 5.25″ closed. Private collection.Hirsute #3 (2016). Ink and suminagashi on assorted handmade papers. 8.1 x 5.25″ closed. Private collection.Hirsute #4 (2016). Ink, crayon, marker, persimmon juice on assorted handmade papers. 9 x 7.25″ closed.Hirsute #4 (2016). Ink, crayon, marker, persimmon juice on assorted handmade papers. 9 x 7.25″ closed.Hirsute #5 (2016). Ink on tin-lined antique washi and handmade mulberry paper, persimmon juice. 6.75 x 4.75″ closed.Hirsute #5 (2016). Ink on tin-lined antique washi and handmade mulberry paper, persimmon juice. 6.75 x 4.75″ closed.Hirsute #6 (2016). Ink and suminagashi on handmade botanical papers. 5.6 x 4.25″ closed.Hirsute #6 (2016). Ink and suminagashi on handmade botanical papers. 5.6 x 4.25″ closed.Hirsute #7 (2016). Ink, beeswax, and natural dye on assorted handmade papers, bark lace. 6.75 x 5.2 x 0.5″ closed.Hirsute #7 (2016). Ink, beeswax, and natural dye on assorted handmade papers, bark lace. 6.75 x 5.2 x 0.5″ closed.Hirsute #7 (2016). Ink, beeswax, and natural dye on assorted handmade papers, bark lace. 6.75 x 5.2 x 0.5″ closed.Hirsute #8 (2016). Ink, beeswax, pencil, and natural dye on assorted handmade papers. 8 x 5.75″ closed. Baylor University Library Special Collections.Hirsute #8 (2016). Ink, beeswax, pencil, and natural dye on assorted handmade papers. 8 x 5.75″ closed. Baylor University Library Special Collections.Hirsute #9 (2016). Natural dyes, pencil, and ink on assorted handmade papers, paper thread. 9 x 5.5 x 1.6″ closed.Hirsute #9 (2016). Natural dyes, pencil, and ink on assorted handmade papers, paper thread. 9 x 5.5 x 1.6″ closed.Hirsute #10 (2016). Ink, beeswax, natural dye, and suminagashi on assorted handmade papers. 7.1 x 5.5″ closed.Hirsute #10 (2016). Ink, beeswax, natural dye, and suminagashi on assorted handmade papers. 7.1 x 5.5″ closed.Weight of the moment (2016). Inkjet and calligraphy ink on handmade mulberry paper, paper thread, miscanthus. 12 x 8 x 1.5″Weight of the moment (2016). Inkjet and calligraphy ink on handmade mulberry paper, paper thread, miscanthus. 12 x 8 x 1.5″Weight of the moment (2016). Inkjet and calligraphy ink on handmade mulberry paper, paper thread, miscanthus. 12 x 8 x 1.5″Etude: sample book #1 (2015). Handmade papers, paper thread, natural dyes, beeswax, 19 pages. 7 x 5.5 x 0.7” closed, 7 x 11.6” open. MIA.Etude: sample book #1 (2015). Handmade papers, paper thread, natural dyes, beeswax, 19 pages. 7 x 5.5 x 0.7” closed, 7 x 11.6” open. MIA.Etude: sample book #1 (2015). Handmade papers, paper thread, natural dyes, beeswax, 19 pages. 7 x 5.5 x 0.7” closed, 7 x 11.6” open. MIA.All it takes (2016). Stamped foil and persimmon dye on paper mulberry bark, thread. 2 x 5.75 x 0.75″ closed, 2 x 11.25″ open. 10 leaves. Collection of Baylor University Crouch Library.All it takes (2016). Stamped foil and persimmon dye on paper mulberry bark, thread. 2 x 5.75 x 0.75″ closed, 2 x 11.25″ open. 10 leaves. Collection of Baylor University Crouch Library.Arithmetic (2016). Pencil and stamped foil on handmade paper. 4.3 x 3.25 x 0.3″ closed, 4.3 x 6.5″ open (12.75″ wide open for full display). Collection of Baylor University Crouch Library.Lapse relapse (2015). Ink and persimmon dye on kozo and hanji, thread. 8.5 x 13.75 x 1.5” closed, 8.5 x 26.25” open. Oberlin College Art Library collection.Lapse relapse (2015). Ink and persimmon dye on kozo and hanji, thread. 8.5 x 13.75 x 1.5” closed, 8.5 x 26.25” open. Oberlin College Art Library collection.Lapse relapse (2015). Ink and persimmon dye on kozo and hanji, thread. 8.5 x 13.75 x 1.5” closed, 8.5 x 26.25” open. Oberlin College Art Library collection.blue moon (2015). Naturally dyed, spun, and woven mulberry paper, milkweed paper covers, thread; 4 leaves. 1.75 x 4.25 x 0.5″ closed, 1.75 x 8.75″ open. Collection of Baylor University Crouch Library.blue moon (2015). Naturally dyed, spun, and woven mulberry paper, milkweed paper covers, thread; 4 leaves. 1.75 x 4.25 x 0.5″ closed, 1.75 x 8.75″ open. Collection of Baylor University Crouch Library.Resilience (2011). Pencil on handmade paper, edition of 10, 5.5 x 4.25 x 0.75″ closed. Various collections.Resilience (2011). Pencil on handmade paper, edition of 10, 5.5 x 4.25 x 0.75″ closed. Various collections.A Reading of Chuang Tzu’s The Inner Chapters (2012). Pen on canvas, thread, hanji, 14 leaves, 11 x 9 x 2″. Center for Book Arts collection.A Reading of Chuang Tzu’s The Inner Chapters (2012). Pen on canvas, thread, hanji, 14 leaves, 11 x 9 x 2″. Center for Book Arts collection.Figure and ground (2006 – 2011). Pen on handmade paper, tacket binding. 12 pages. 8.75 x 6.25 x 0.5″. CIA Gund Library Collection.Figure and ground (2006 – 2011). Pen on handmade paper, tacket binding. 12 pages. 8.75 x 6.25 x 0.5″. CIA Gund Library Collection.What’s a conscience? (2012). Pen on paper, cochineal dye, ink, spun and woven hanji, 8 panels, 4 x 3.75 x 2″ closed, 34″ wide open. Indiana University Fine Arts Library collection.The story of a book (2011). Pen and pencil comic on handmade slippery elm paper, slippery elm-dyed hanji yarn corded and woven, kon’nyaku-covered covers. 3.25 x 3.25 x 0.5″. MIA.The story of a book (2011). Pen and pencil comic on handmade slippery elm paper, slippery elm-dyed hanji yarn corded and woven, kon’nyaku-covered covers. 3.25 x 3.25 x 0.5″. MIA.Book in a basket (2011). Pen on handmade slippery elm and dak paper, cochineal-dyed hanji and pine paper yarn. Book: 1.375 x 1.25 x 1″. Oberlin College Art Library Collection.Book in a basket (2011). Pen on handmade slippery elm and dak paper, cochineal-dyed hanji and pine paper yarn. Book: 1.375 x 1.25 x 1″. Oberlin College Art Library Collection.Every leaf is a prayer (2010). Pen on hanji, beeswax on bark hanji. Varied edition of 10. 4.5 x 4 x 1″. Various collections.Shatter stories (2011). Handmade gampi paper, hanji, St. Armand paper, thread. Inkjet print and pen on handmade paper, creped and textured. 6.25 x 4.25 x 0.25″. Collection of FSU Strozier Library.Shatter stories (2011). Handmade gampi paper, hanji, St. Armand paper, thread. Inkjet print and pen on handmade paper, creped and textured. 6.25 x 4.25 x 0.25″. Collection of FSU Strozier Library.Shatter stories (2011). Handmade gampi paper, hanji, St. Armand paper, thread. Inkjet print and pen on handmade paper, creped and textured. 6.25 x 4.25 x 0.25″. Collection of FSU Strozier Library.Er…getting there (2010). Pen and ink on hanji, covers of perilla-oiled hanji. 22 pages. 15 x 10”. King St. Stephen Museum Collection.Er…getting there (2010). Pen and ink on hanji, covers of perilla-oiled hanji. 22 pages. 15 x 10”. King St. Stephen Museum Collection.Concrete Love (2010). Pen on handmade mulberry paper and cochineal-dyed hanji. 6 x 4 x 7/8”. Edition of 2. Various collections.Concrete Love (2010). Pen on handmade mulberry paper and cochineal-dyed hanji. 6 x 4 x 7/8”. Edition of 2. Various collections.How I Fell for Breakdancing zine (2005). Pen on paper in accordion style, bandage, edition of 60; 2 x 2″.How I Fell for Breakdancing zine (2005). Pen on paper in accordion style, bandage, edition of 60; 2 x 2″.Word Ruler (2008). Intaglio on Rives BFK, accordion book edition of 5; 1.5 x 25.5″ opened. Various collections.Word Ruler (2008). Intaglio on Rives BFK, accordion book edition of 5; 1.5 x 25.5″ opened. Various collections.Abundance is real (2008). Etching on handmade paper covers and Fabriano pages, varied edition of 5; 4.5 x 4.75 x 0.75″. Various collections.Abundance is real (2008). Etching on handmade paper covers and Fabriano pages, varied edition of 5; 4.5 x 4.75 x 0.75″. Various collections.Uh-oh (2008). Pen on Zaan paper and handmade cotton paper; 5.25 x 4 x 2″. Private collection.On the Jaw Situation (2008). Pen on Zaan paper and handmade cotton paper; 4 x 5 x 3″. Private collection.I’d like a home (2007). Handmade abaca and milkweed paper, papercuts and pen, 72 pages. 4.25 x 7 x 1″. Oberlin College Art Library Collection.I’d like a home (2007). Handmade abaca and milkweed paper, papercuts and pen, 72 pages. 4.25 x 7 x 1″. Oberlin College Art Library Collection.party shuffle conversations (2007). Pencil, pen, and marker on handmade abaca and milkweed paper, thread. 4.75 x 3.5 x 1″. Minnesota Center for Book Arts Collection.party shuffle conversations (2007). Pencil, pen, and marker on handmade abaca and milkweed paper, thread. 4.75 x 3.5 x 1″. Minnesota Center for Book Arts Collection.dance dance revolution / could it just slow for a moment (2007). Leather, pen on wood, .75 x 3.25 x 1.25 and .75 x 2.25 x 1.5″. Private collections.dance dance revolution / could it just slow for a moment (2007). Leather, pen on wood, .75 x 3.25 x 1.25 and .75 x 2.25 x 1.5″. Private collections.Princesses and peas (2005). Pen on Stonehenge paper, leather, velvet. Hand bound and illustrated, 32 pages; 7.75″ x 11.25″ x 1″ closed. Edition of 2. Private collection.Princesses and peas (2005). Pen on Stonehenge paper, leather, velvet. Hand bound and illustrated, 32 pages; 7.75″ x 11.25″ x 1″ closed. Edition of 2. Private collection.police report HL-361407 (2005). Letterpress printing on days of the week underwear bound with French link stitch; 9.5 x 11″ closed.police report HL-361407 (2005). Letterpress printing on days of the week underwear bound with French link stitch; 9.5 x 11″ closed.
